Vogue 1174

I can't believe I finished this dress in a week! It was a lot of work, but I was excited about it from beginning to end (and truth be told, it still needs two hooks/eyes and hanging loops). I had some doubts about the fit and whether this style would flatter my (lack of) curves, but I'm thrilled with the result.

Here is my version of Vogue 1174:

I discussed in a previous post that I had to take in my usual size about 2 inches around the top. Other than that, fitting was ok.

I like the pockets, but forgot to really show them in the photos (working with a 4-year-old photographer here). I LOVE how the pleats on the skirt make it stand out swishily just enough to balance out the rigid top half. I think my body-ful linen/cotton fabric helps. It's from Gorgeous Fabrics, by the way, but long sold out.

Excuse the wrinkles, please. That's just life with linen.

I briefly considered attaching the skirt like any other dress pattern (right sides together) instead of this top-stitched on method, but then I decided that's just part of the interesting design and went with it. Sooooo glad I did that. It's just another interesting touch to the dress, like the "piping," which is actually just a strip of folded fabric - I don't think that is technically piping.

Here is my back zip, discussed at the end of this post.

Inside shots. This pattern has what looks to me to be very high-end construction methods with the foundation inside the lining with a waist stay. It's beautifully finished inside (again, just following the instructions).


Here it is, styled for Easter. I didn't plan to wear a belt with this dress, but once I put on the cardi, my waist disappeared, and I think the belt helps define it a bit.

Things are very classy here for photo shoots. I have a photographer AND a photography assistant to direct me.

Some photos of the man behind the lens.



Patter Review is here.